Dazzling dramas on American themes from the Nobel laureate On a cold winter's day on the Dakota plains, Catherine Weldon receives a caller, Kicking Bear, bringing news of Indian rebellion. In
the fort nearby, a tiny community splinters apart over how to react. In Ghost Dance , first performed in 1989, Walcott turns a story with a foregone conclusion -- Sitting Bull and his Sioux
followers will die at the hands of the Army and Indian agents -- into a portrait of life at a crossroads of American history. In Walker , an opera first performed in 1992 and revised for its
revival in 2001, Walcott shifts his attention east, taking for his subject David Walker, the nineteenth-century black abolitionist. In Walcott 's hands Walker becomes a classical hero for his
people: a leader who is also a poet.
