The Hidden God: Film and Faith, which accompanies a MoMA Film at the Gramercy Theatre program in the winter of 2003-2004, offers a range of approaches to cinema’s explorations of a hidden God.
Its thirty-five authors include filmmakers, magazine and newspaper critics, film scholars, curators of The Museum of Modern Art’s Department of Film and Media, and others; together they discuss
over fifty films, some more or less explicitly religious in theme, others from a gamut of genres not always connected with questions of faith: the western, the thriller, the policier, the
costume drama, science fiction, horror, comedy. The films come from Africa, the Middle East, and Japan as well as Europe and the United States, but even so, the book and exhibition are intended
not as an encyclopedic anthology but, more humbly, as starting points in the study of an eternal theme.
