Introduction: Storytelling as a Cognitive Instrument, by John D. Simons
Rewriting the Risorgimento in Sicily: Vincenzo Consolo’s Il Sorriso Dell’ignoto Marinaio, by T. O’Neill
From Printed Page to Screen: "The Voyage of Charles Darwin," by Julie S. Gibert
South Africa from Text to Film: Cry Freedom and A Dry White Season, by Victoria Carchidi
Film as Historical Text: Danton, by Elaine McAllister
The Reigns of Power: Foucault, Feminism, and Dangerous Liaisons, by Majda K. Anderson
The Subject in/of History: Hiroshima Mon Amour, by Nancy Lane
Lacan and Postmodernism in Brautigan’s Dreaming of Babylon, by Mark Hedborn
Dialectics of Transvaluation in Edith Wharton’s The House of Mirth, by Rita Di Giuseppe
The Yellow River Turning Blue, The Yellow River Turning Red: He Shang and the "Cultural Craze" Movement, by Balance T.P. Chow
Ishmael Reed’s Postmodern Revolt, by Erik D. Curren
Adaptation, History, and Textual Suppression: Literary Sources of Hitchcock’s Sabotage, by Thomas Hemmeter
What Movie Are We Watching Here? Cinematic Quotation in Recent Hollywood Films, by Linda Anderson
The Cinematic Adaptation: The Case of Los Santos Inocentes, by Patricia Santoro
John D. Simons is professor of German, Florida State University.
