This book connects the invention of masochism by turn-of-the-century sexologist Richard von Krafft-Ebing and writer Leopold von Sacher-Masoch to its contemporary appropriation by gay and
lesbian filmmakers. Krafft-Ebing conceived of masochism as a literary perversion and as a gendered affliction. Mennel compares central texts by Sacher-Masoch with Monika Treut’s film
Seduction: The Cruel Woman and Kutlug Ataman’s film Lola and Billy the Kid, negotiating contemporary feminist theory and queer studies organized around gender and sexuality,
on the one hand, and the fetish and masquerade, on the other.
