Theatricality and Narrative in Medieval and Early-modern Scotland analyses narrative accounts of public theatricality in late medieval and early-modern Scottish culture (pre-1645). Literary
texts such as journal, memoir and chronicles reveal a complex spectatorship in which eye witness, textual witness and the imagination interconnect. The narrators represent a broad variety of
public actions as theatrical: included are instances of assault and assassination, petition, clerical interrogation, dissent, preaching, play and display, the performance of identity and the
spectatorship of tourism. Varying influences of personal experience, oral tradition, and existing written record colour the narratives. Although the book's emphasis is on the early modern
period, its study of chronicle narratives takes it back from the period of their composition (predominantly 15th- and 16th-century) to earlier medieval events.
