This book explores Antonio Munoz Molina's creation of narratives about Spain's immediate past by engaging in a dynamic dialogue with popular culture subgenres and the media. The author asserts
that popular culture functions in Munoz Molina's novels as provider of a series of strategies that represent in the text aspects of Francoism and the Transition that, because of their
relevance, are part of the structure of feeling of those periods. The study focuses on the role of popular music, film, photography, the thriller, the romance novel as well as the radio and
other gadgets of modern technology in Munoz Molina's novels.
