For centuries, poets have been ensnared - as one of their number, Andrew Marvell put it - by the beauty of flowers. Then, from the middle of the eighteenth century onward, that enjoyment was
      enriched by a surge of popular interest in botany. Besides exploring the relationship between poetic and scientific responses to the green world within the context of humanity's changing
      concepts of its own place in the ecosphere, Molly Mahood considers the part that flowering plants played in the daily lives and therefore in the literary work of a number of writers who could
      all be called poet-botanists: Erasmus Darwin, George Crabbe, John Clare, John Ruskin and D. H. Lawrence. A concluding chapter looks closely at the meanings, old or new, that plants retained or
      obtained in the violent twentieth century.