In this special second issue we focus on nonfiction in plural voices, plural themes in one voice, and everything is very serious. or is it? Do we mean to say what we mean or what we think will
be understood? Did i want to take that picture? Maybe i should delete it. in this issue we focus on focusing, a convergence on life and the inertia of its exponents - our multiple behaviors and
likenesses, our aspirations and family matters, our private contemplations and public secrets - in an attempt to understand the tender balance between art and personal truth.
