The Lie

Coming of age in 1940s and 1950s America, Ramona Smollens takes her cues about female sexuality from Hollywood movie stars. None is more voluptuous than Rita Hayworth, the redhead who knows how to please a man and becomes a volcano of passion at her lover's touch, whose image inspired American flyers on their missions in World War II and even graced the first atomic bomb tested at the Bikini atoll. Ramona marries young and escapes her mother's house shortly after the death of her father. She takes with her a dark family secret, the sort of secret one simply did not talk about and that would stalk her as she matured into her role as wife and mother, remained a devoted daughter to her aging mother, and secretly harbored an obsession with the iconic Hayworth.
The fictional story Wagman tells of one woman's struggle with the conventions of her day is a bold literary achievement. Underpinning it all is the sad, unspoken truth of the real-life, flesh-and-blood Hayworth, the woman whose father sexually abused her. "Men go to bed with Gilda," She used to say, "but wake up with me." During Hayworth's lifetime, the public had no understanding of the depth of mean, and pain, behind Hayworth's seemingly self-effacing words. To Ramona, and millions of women like her, Hayworth's on-screen persona seemed the ideal, but was in fact "the lie." With this novel, Wagman realizes Kafkas famous dictum that "a book must be the axe that breaks the frozen sea within us."