King Rother, a twelfth-century bridal-quest epic, occupies an important place in the history of German literature. The earliest surviving and structurally most sophisticated of the so-called
minstrel epics, verse narratives once assumed to have been recited by itinerant minstrels before a courtly audience, it has its roots in German folklore, and documents the transition from
orality to the culture of the book. Scholars have established that the work belongs to the subgenre of perilous bridal quest, in which the disguised wooer defies the bride's father and abducts
her with her consent. This simple quest structure is often doubled, as the wooer must win his bride a second time from her father, who has rescued her. The bride is almost always a passive
figure in these events, the main conflict being the disparity in status between the wooer and his prospective father-in-law. But here King Rother is very different, as the present study is the
first to recognize: the quest structure is doubled not only in the wooer's second quest, but also in the bride's own actions -- including her use of subterfuge in a parallel quest for her
wooer. This underscores her equality to him, which is her essential qualification to be his wife. The study includes the first English-language summary of scholarship on King Rother, on the
minstrel epics, and on the bridal quest. Thomas Kerth is Associate Professor of German at Stony Brook University.
