"It is no longer surprising to see scholars devote themselves to the singnificance of Bruce Springsteen, whether as a performer, a poet, or a global cultural symbol. But it is indeed a pleasure
to find the quality of such investigations so consistentlh impressive, probing, and often eloquent. This is a collection worthy of its subject. I know of no---Eric Alterman, distinguished
professor at Brooklyn College and author of It Ain't No Sin to be Glad you're Alive. The Promise of Bruce Springsteen
"This collection focuses explicitly on Bruce Springsteen's iterary connections---to the authors Flannery O'Connor, Walker Percy, and John Steinbeck (among others)---and to the tensions in his
songcraft, whether of rebellion and rootedness, or gender and blue-collar ethnic mascuiinity. In contrast to a discourse often filled with praise-song, these essavs instead hone in on the
artistic elements Springsteen wields to create moments of redemption for his everyday, alienated, working-class characters."---Joel Dinerstein, associate professor in the Department of English
at tulane University
Reading the Boss: Interdisciplinary Approaches to the Works of Bruce Springsteen, edited by Roxanne Harde and Irwin Streight, draws together close readings of Bruce Springsteen's lyrics by
scholars across a range of academic disciplines. Teh editors first make a compelling comparison between Bruce Springsteen and William Shakespeare, carefully Building the argument that both men
offer profound insight into the hungry humana heart. Springsteen, they argue, uses many Shakespearean themes such as the ties of blood and friendship, commitment to country and community, the
monsters of lust and jealousy, vanity and power, and the hopeful pursuit of real love. These themes lift his music beyond stories of characters casing the Promised Land of America to universal
matters of the heart's truth wherever it is found.
The twelve chapters of Reading the Boss, written by established and emerging scholars, engage readers both critically and enthusiastically with central issues in Bruce Springsteen's writing, as
they read his exploratins of gender, place, religion, philosophy, and other literary texts, notably the works of Walker Percy and Flannery O'Connor. Driven by arguments grounded in a wide
variety of theoretical and critical positions, these essays offer a comprehensive and accessible discussin of Springsteen's oeuvre---from Greetings from Asbury Park, N.J. to Working on a
Dream---that will appeal to both specialist readers and Springsteen fans alike.
