On receiving the invitation from the Fundacio Mies van der Rohe, I realized that my task consisted of intervening rather than exhibiting of endowing the Pavilion with another dimension, of
activating it in a different way.
The Pavilion's architectural report, filed away, and the phenomenon of its existence over a long period in relation to paper and to printed documentation, led me once again to the perception of
the smell associated with time, archives, closed space and the olfactory experience. The divulging and mediatic role of the Pavilion, and knowledge of it through writings, the press and
bibliography, which has reached so many people, led me to another type of olfactory proposal.
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See Yourself X: Human Futures Expanded
$1,575 -
Relational Art: A Guided Tour
$4,455 -
The Chasuble of Thomas Becket: A Biography
$5,400 -
Culture and Commerce: Cultural Policy and Economic Value in the Creative Industries
$5,400 -
Teaching Painting: How Can Painting Be Taught in Art Schools?
$698 -
Bless Your Heart: Favorite Southern Sayings
$525 -
The Global Work of Art: World’s Fairs, Biennials, and the Aesthetics of Experience
$2,925 -
William Van Alen, Fred T. Ley and the Chrysler Building
$1,798 -
Aleksandra Waliszewska: 2000 Words
$770 -
Aisthesis: Scenes from the Aesthetic Regime of Art
$698 -
Curatorial Roundtable
$350 -
Nadia Seboussi: Hidad
$698 -
Towards an Aesthetics of Production
$1,350 -
Critical Practice: Theorists and Creativity
$3,330 -
Destruction Rites: Ephemerality and Demolition in Postwar Visual Culture
$4,455 -
Willem De Rooij: Index
$1,798 -
The Big Picture: Contemporary Art in 10 Works by 10 Artists
$1,048 -
Wild New Territories
$1,048 -
The Art Lovers Quotation Book
$438 -
The Form of Meaning / the Meaning of Form: Studies in the History of Art from Late Antiquity to Jackson Pollock
$13,500

