On receiving the invitation from the Fundacio Mies van der Rohe, I realized that my task consisted of intervening rather than exhibiting of endowing the Pavilion with another dimension, of
activating it in a different way.
The Pavilion's architectural report, filed away, and the phenomenon of its existence over a long period in relation to paper and to printed documentation, led me once again to the perception of
the smell associated with time, archives, closed space and the olfactory experience. The divulging and mediatic role of the Pavilion, and knowledge of it through writings, the press and
bibliography, which has reached so many people, led me to another type of olfactory proposal.
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Crags and Ravines Make a Marvellous View: A Study of Wu Bin’s Unique 17th Century Scroll Painting "Ten Views of a Lingbi Rock"
$3,375 -
Thai Art: Currencies of the Contemporary
$1,153 -
Entangled: Threads and Making
$1,223 -
The Last Words of Antonin Artaud
$2,475 -
Art and Text
$1,048 -
Aleksandra Waliszewska: 2000 Words
$770 -
Wild New Territories
$1,048 -
The Paragone in Nineteenth-century Art
$6,750 -
Relational Art: A Guided Tour
$698 -
Writing Postindustrial Places: Technoculture Amid the Cornfields
$6,750 -
The Form of Meaning / the Meaning of Form: Studies in the History of Art from Late Antiquity to Jackson Pollock
$13,500 -
The Global Work of Art: World’s Fairs, Biennials, and the Aesthetics of Experience
$2,925 -
Bento’s Sketchbook
$525 -
Philippe Parreno: Hypnosis Hypothesis
$1,748 -
Albert Duvall Quigley: Artist, Musician, Framemaker, 1891-1961
$1,050 -
Nadia Seboussi: Hidad
$698 -
Towards an Aesthetics of Production
$1,350 -
Liu Dan: New Landscapes and Old Masters
$1,050 -
Bless Your Heart: Favorite Southern Sayings
$525 -
Floating Time: Chinese Prints 1954-2002
$1,225

