On receiving the invitation from the Fundacio Mies van der Rohe, I realized that my task consisted of intervening rather than exhibiting of endowing the Pavilion with another dimension, of
activating it in a different way.
The Pavilion's architectural report, filed away, and the phenomenon of its existence over a long period in relation to paper and to printed documentation, led me once again to the perception of
the smell associated with time, archives, closed space and the olfactory experience. The divulging and mediatic role of the Pavilion, and knowledge of it through writings, the press and
bibliography, which has reached so many people, led me to another type of olfactory proposal.
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Fred Sandback: Vertical Constructions
$1,925 -
The Big Picture: Contemporary Art in 10 Works by 10 Artists
$1,048 -
Bento’s Sketchbook
$525 -
Nadia Seboussi: Hidad
$698 -
Interpreting Visual Art: A Survey of Cognitive Research About Pictures
$3,598 -
Actors, Networks, Theories / D’un Discours Qui Ne Serait Pas Du Semblant
$1,223 -
Wild New Territories
$1,048 -
The Paragone in Nineteenth-century Art
$6,750 -
The Manuscript Average
$1,125 -
Sigmar Polke: Eine Winterreise
$2,100 -
Floating Time: Chinese Prints 1954-2002
$1,225 -
William Van Alen, Fred T. Ley and the Chrysler Building
$1,798 -
Entangled: Threads and Making
$1,223 -
Culture and Commerce: Cultural Policy and Economic Value in the Creative Industries
$1,798 -
Crags and Ravines Make a Marvellous View: A Study of Wu Bin’s Unique 17th Century Scroll Painting "Ten Views of a Lingbi Rock"
$3,375 -
Culture and Commerce: Cultural Policy and Economic Value in the Creative Industries
$5,400 -
The Global Work of Art: World’s Fairs, Biennials, and the Aesthetics of Experience
$2,925 -
The Last Words of Antonin Artaud
$2,475 -
Relational Art: A Guided Tour
$4,455 -
100 Boots: A Book of Postcards
$453

