On receiving the invitation from the Fundacio Mies van der Rohe, I realized that my task consisted of intervening rather than exhibiting of endowing the Pavilion with another dimension, of
activating it in a different way.
The Pavilion's architectural report, filed away, and the phenomenon of its existence over a long period in relation to paper and to printed documentation, led me once again to the perception of
the smell associated with time, archives, closed space and the olfactory experience. The divulging and mediatic role of the Pavilion, and knowledge of it through writings, the press and
bibliography, which has reached so many people, led me to another type of olfactory proposal.
-
Writing Postindustrial Places: Technoculture Amid the Cornfields
$6,750 -
The Manuscript Average
$1,125 -
Relational Art: A Guided Tour
$4,455 -
Bento’s Sketchbook
$525 -
William Van Alen, Fred T. Ley and the Chrysler Building
$1,798 -
Fred Sandback: Vertical Constructions
$1,925 -
The Paragone in Nineteenth-century Art
$6,750 -
Willem De Rooij: Index
$1,798 -
Towards an Aesthetics of Production
$1,350 -
Liu Dan: New Landscapes and Old Masters
$1,050 -
Rivington School: 80s New York Underground
$1,223 -
Teaching Painting: How Can Painting Be Taught in Art Schools?
$698 -
Philippe Parreno: Hypnosis Hypothesis
$1,748 -
Culture and Commerce: Cultural Policy and Economic Value in the Creative Industries
$1,798 -
Aisthesis: Scenes from the Aesthetic Regime of Art
$698 -
Railway Stations
$873 -
Albert Duvall Quigley: Artist, Musician, Framemaker, 1891-1961
$1,050 -
Actors, Networks, Theories / D’un Discours Qui Ne Serait Pas Du Semblant
$1,223 -
Floating Time: Chinese Prints 1954-2002
$1,225 -
Critical Practice: Theorists and Creativity
$3,330

