With its monsters, vampires, and cowboys, Italian popular culture in the post-war period has generally been dismissed as a form of evasion or escapism. Here, four international scholars
re-examine and reinterpret the era to show that popular Italian cinema was not only in tune with contemporary political and social trends, it also presaged the turmoil and rebellion of the
1960s and 1970s. Their analysis of peplum (or “sword and sandal”) films, horror films, spaghetti westerns, and comedy Italian-style shows how genre cinema reflected the changes wrought by
modernization, urbanization, consumerist culture, and the sexual revolution. With striking insights into the links between popular culture and politics, this book will be indispensable for
specialists in film and media studies, Italian and cultural studies, as well as social history.
