The Arriere-pays

Since the publication of his first book in 1953, Yves Bonnefoy has become one of the most important French poets of the postwar years. At last, we have the long-awaited English translation of Yves Bonnefoy�� celebrated work, L��rri癡re-pays, which takes us to the heart of his creative process and to the very core of his poetic spirit.

In his poem, ��he Convex Mirror,��Bonnefoy writes: ��ook at them down there, at that crossroads, / They seem to hesitate, then go on.�� The idea of the crossroads haunts Bonnefoy�� work, as he is troubled by the idea that the path not taken may lead to the arri癡re-pays, a place of greater plenitude, and of more authentic being��n ��lsewhere in the absolute.��Seized by this fear that what he terms ��resence�� exists always somewhere else, a little further on, Bonnefoy here sets out on a labyrinthine quest to find traces of this ��riginal place,�� which he locates not only in objects of knowledge and experience as diverse as the deserts of Asia, a hill fort in India, a church in Armenia, the painting of Piero della Francesca but also, crucially, in the undivided intensity of his experiences as a child. Written with a visionary grace, The Arri癡re-pays is a spiritual testament to art, philosophy, and poetry.

Enriched by a new preface by the poet, this volume also includes three recent essays in which he returns to his original account of an ethical and aesthetic haunting, one that recounts the struggle between our instinct to idealize��hat he deems our eternal Platonism��nd the equally strong need to combat this and to be reconciled with our nature as finite beings, made of flesh and blood, in the world of the here and now.