The notion of the minor, developed by Gilles Deleuze and F歋lix Guattari in 'Kafka, towards a minor literature' (1975), is introduced and connected applied here for the very first time to the
field of photography theory. Deleuze and Guattari defined minor literature in terms of 'deterritorialization', 'politicization' and 'collectivization'. By transferring 'the minor' to the medium
of photography, this book enlarges the idea of 'the minor' and opens it up to all kinds of mutations in the process. The essays gathered in this book discuss the ways in which photography can
make the dominant codes of representation stammer and how it can produce new effects and address people yet to come. The authors consider 'the minor' as a valuable tool to help photography
research move beyond, or in between, binary and hierarchized ways of thinking (of high and low art, for example, or centre and periphery). As such, it aims to contribute to a rethinking of
photography as multiplicity and variation.
