Jones presents students, academics, researchers, and general interest readers with an investigation of the theatrical jazz aesthetic, drawing on various jazz principles to illuminate aspects of
the work of Laurie Carlos, Daniel Alexander Jones, and Sharon Bridgforth. The author has organized the chapters that up the main body of her text in three parts devoted to the making of artists
and how artists make art, critically examining the overlapping artistic genealogies of a variety of theatrical jazz artists, and tracing the interconnections between African spirit practices
and the making of theatrical jazz. Omi Osun Joni L. Jones is a faculty member of the University of Texas at Austin. Annotation ©2015 Ringgold, Inc., Portland, OR (protoview.com)
