＂Although scholars have widely acknowledged the prevalence of religious reference in the work of Cormac McCarthy, this is the first book on the most pervasive religious trope in all his works:
the image of sacrament, and in particular, of eucharist. Informed by postmodern theories of narrative and Christian theologies of sacrament, Matthew Potts reads the major novels of Cormac
McCarthy in a new and insightful way, arguing that their dark moral significance coheres with the Christian theological tradition in difficult, demanding ways. Potts develops this account
through an argument that integrates McCarthy’s fiction with both postmodern theory and contemporary fundamental and sacramental theology. In McCarthy’s novels, the human self is always
dispossessed of itself, given over to harm, fate, and narrative. But this fundamental dispossession, this vulnerability to violence and signs, is also one uniquely expressed in and articulated
by the Christian sacramental tradition. By reading McCarthy and this theology alongside postmodern accounts of action, identity, subjectivity, and narration, Potts demonstrates how McCarthy
exploits Christian theology in order to locate the value of human acts and relations in a way that mimics the dispossessing movement ofsacramental signs. This is not to claim McCarthy for
theology, necessarily, but it is to assert that McCarthy generates his account of what human goodness might look like in the wake of metaphysical collapse through the explicit use of Christian
theology＂--
