-
Long Suffering: American Endurance Art As Prophetic Witness
$1,573 -
Sources of Dramatic Theory: Hebbel
$2,475 -
Gilbert and Sullivan’s ’respectable Capers’: Class, Respectability and the Savoy Operas 1877–1909
$4,500 -
Oscar Wilde’s Last Stand: Decadence, Conspiracy, and the Most Outrageous Trial of the Century
$560 -
Staging History: 1780-1840
$2,025 -
Moving Performances: Divas, Iconicity, and Remembering the Modern Stage
$4,050 -
Moving Performances: Divas, Iconicity, and Remembering the Modern Stage
$1,258 -
Drop Dead: Performance in Crisis, 1970s New York
$4,498 -
The Making of Samuel Beckett’s Radio Plays
$1,800 -
The Jeu D’adam: Ms Tours 927 and the Provenance of the Play
$4,455 -
100 Greatest American Plays
$2,250 -
The Theatre of David Hare
$1,348 -
Elastic Architecture: Frederick Kiesler and Design Research in the First Age of Robotic Culture
$1,398 -
The Theatre of Grotowski
$1,348 -
W. C. Fields from the Ziegfeld Follies and Broadway Musicals to the Screen: Becoming a Character Comedian
$4,500 -
Participatory Art
$4,275 -
From Scenarios to Networks: Performing the Intercultural in Colonial Mexico
$1,573 -
May Irwin: Singing, Shouting, and the Shadow of Minstrelsy
$1,123 -
Early Modern Actors and Shakespeare’s Theatre: Thinking With the Body
$4,590 -
The Britannia Panopticon Music Hall and Cosmopolitan Entertainment Culture
$4,500

