-
Gilbert and Sullivan’s ’respectable Capers’: Class, Respectability and the Savoy Operas 1877–1909
$4,500 -
From Scenarios to Networks: Performing the Intercultural in Colonial Mexico
$1,573 -
Facilitation: Pedagogies, Practices, Resilience
$4,860 -
Batman: Facts and Stats from the Classic TV Show
$593 -
A Critical Companion to the American Stage Musical
$4,230 -
Guilty Pleasures: Theater, Piety, and Immorality in Seventeenth-Century France
$2,025 -
Migrating Modernist Performance: British Theatrical Travels Through Russia
$4,500 -
The 101 Greatest Plays: From Antiquity to the Present
$593 -
May Irwin: Singing, Shouting, and the Shadow of Minstrelsy
$1,123 -
Performing Whitely in the Postcolony: Afrikaners in South African Theatrical and Public Life
$2,475 -
Moving Performances: Divas, Iconicity, and Remembering the Modern Stage
$4,050 -
The Making of Samuel Beckett’s Radio Plays
$1,800 -
After ’89: Polish Theatre and the Political
$4,950 -
Drop Dead: Performance in Crisis, 1970s New York
$4,498 -
Sources of Dramatic Theory: Hebbel
$2,475 -
Theatre World 2014-2015
$1,925 -
The Astaires: Fred & Adele
$350 -
History as Theatrical Metaphor: History, Myth and National Identities in Modern Scottish Drama
$4,500 -
W. C. Fields from the Ziegfeld Follies and Broadway Musicals to the Screen: Becoming a Character Comedian
$4,500 -
Theatre Criticism: Changing Landscapes
$3,960