Blackness Is Burning is one of the first books to examine the ways race and psychological rhetoric collided in the public and popular culture of the civil rights era. In analyzing a range of media forms, including Sidney Poitier’s popular films, black mother and daughter family melodramas, Bill Cosby’s cartoon Fat Albert, pulpy black pimp narratives, and several aspects of post–civil rights black/American culture, TreaAndrea M. Russworm identifies and problematizes the many ways in which psychoanalytic culture has functioned as a governing racial ideology that is built around a flawed understanding of constantly trying to ＂recognize＂ the racial other as human.
The main argument of Blackness Is Burning is that humanizing blackness in popular and narrative culture has always been barely attainable and impossible to sustain cultural agenda. Russworm assesses the temptation to humanize blackness in order to prove, in narrative culture, that #BlackLivesMatter. But Blackness Is Burning makes two additional interdisciplinary interventions: the book makes a historical and temporal intervention because Russworm is committed to showing the relationship between civil rights discourses on recognition and how we continue to represent and talk about race today. The book also makes a formal intervention since the chapter-length case studies take seemingly banal popular forms seriously. She argues that the popular forms and disreputable works are integral parts of our shared cultural knowledge.
Blackness Is Burning’s interdisciplinary reach is what makes it a vital component to nearly any scholar’s library, particularly those with an interest in African American popular culture, film and media studies, or psychoanalytic theory.
