The rise and rise of cognitive science and its impact on theatre studies has been significant over the last decade. Now the crossover between ’cog sci’ and phenomenology is getting increased attention, but there are few scholars able to explore both fields and their relation to acting theory, and even fewer who can do so with reference to a lifetime of actual practice. Phillip Zarrilli isthe leading scholar in the phenomenology of acting. This new book is a more direct engagement with phenomenology and cognitive science, proposing a new type of fieldwork to explore the structures of experience in theatrical performance.
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Erwin Wurm
$1,575 -
Prinzessinnen und Heilige / Princesses and Saints: Justyna Koeke
$1,048 -
Victorine Müller: A Moment in Time: Performances, Installationen, Plastische Werke 1994-2014 / Performances, Installations, Thre
$2,025 -
Serious Fun: The Power of Improvisation for Learning and Life
$1,305 -
Christian Falsnaes: Elixir
$1,400 -
Troubleyn / Laboratorium
$2,700 -
How to Audition on Camera: A Hollywood Insider’s Guide for Actors
$523 -
Black Acting Methods: Critical Approaches
$6,300 -
Performance Anxiety Strategies: A Musician’s Guide to Managing Stage Fright
$4,050 -
Intersecting Art and Technology in Practice: Techne/Technique/Technology
$4,725 -
Rosalyn Drexler: Who Does She Think She Is?
$1,750 -
Odyssey Works: Transformative Experiences for an Audience of One
$1,225 -
Title TK 2010-2014
$700 -
Towards a Theatrical Jurisprudence
$6,075 -
Civic Radar
$2,450 -
The Art of Being Many: Towards a New Theory and Practice of Gathering
$1,800 -
A Phenomenology of Acting: Acting As ’embodied Enquiry’
$2,023 -
Music, Theater, and Society in the Comedies of Luiz Carlos Martins Penna (1833-1846): Amidst the Lundu, the Aria, and the Allelu
$4,950 -
Dirty Ear Report #2: Sound, Multiplicity, and Radical Listening
$675 -
A.bandit: A Secret Has Two Faces
$1,398