The rise and rise of cognitive science and its impact on theatre studies has been significant over the last decade. Now the crossover between ’cog sci’ and phenomenology is getting increased attention, but there are few scholars able to explore both fields and their relation to acting theory, and even fewer who can do so with reference to a lifetime of actual practice. Phillip Zarrilli isthe leading scholar in the phenomenology of acting. This new book is a more direct engagement with phenomenology and cognitive science, proposing a new type of fieldwork to explore the structures of experience in theatrical performance.
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Senga Nengudi
$1,050 -
Ritual, Performance and the Senses
$1,798 -
Odyssey Works: Transformative Experiences for an Audience of One
$1,225 -
Lou Reed, Metal Machine Trio: The Creation of the Universe
$1,800 -
Dirty Ear Report #1: Sound, Multiplicity, and Radical Listening
$675 -
FIA Backström: A-Script
$630 -
Howard Barker’s Art of Theatre: Essays on His Plays, Poetry and Production Work
$1,438 -
Animals are dumb and plants are even dumber
$2,248 -
An Artist’s Life
$875 -
Haircuts by Children, and Other Evidence for a New Social Contract
$488 -
William Yang: Stories of Love and Death
$2,250 -
Performance Anxiety Strategies: A Musician’s Guide to Managing Stage Fright
$4,050 -
Fashion As Performance
$1,348 -
Serious Fun: The Power of Improvisation for Learning and Life
$1,305 -
How to Audition on Camera: A Hollywood Insider’s Guide for Actors
$523 -
Experiencing Liveness in Contemporary Performance: Interdisciplinary Perspectives
$6,525 -
Music, Dance, Affect, and Emotions in Latin America
$4,275 -
Black Acting Methods: Critical Approaches
$6,300 -
Performance Anxiety Strategies: A Musician’s Guide to Managing Stage Fright
$1,800 -
A Fragile but Marvelous Life: Reader
$980