An engineer by profession, an active Communist Party member, and an influential dramatist and stage director, Badal Sircar (1925-2011) penned several acclaimed plays during the turbulent period
of the late 1960s and 1970s in West Bengal. He is known for bringing new idioms into theatrical praxis. His own brand of experimental discourse, the Third Theatre, is an urban theatre that is
characterized by flexibility--intermingling of the performer and the audience to bring the two closer to each other, and low cost of production. To date, his art influences theatre
practitioners not only in South Asia, but around the world.
Covering the career of this legendary dramatist, Manujendra Kundu traces the journey of theatre in nineteenth-century Bengal from folk culture to the proscenium to open-air performances. Based
on his study of over 50 plays by Sircar, both published and unpublished, Kundu brings to the fore the lost voices of some members of the Third Theatre. Comprising some rare photographs of
performances by Sircars theatre group, Satabdi, this book is an authentic history of the formation, and the subsequent decline, of Badal Sircars Third Theatre.
