This book is not about experimentation by modernist directors producing plays for modernist audiences, says Rozik, but about Shakespeare’s own exploration, experimentation, and innovation as
embodied in his play scripts. He draws from insights he has already published and from new ones that amount to a new concept of Shakespeare’s contribution to the art of theater, and to a view
of the Bard as an unprecedented experimental playwright and innovator in all that concerns the mastery of theater art, especially in the expansion of its means of expression. Distributed in the
US by IPG. Annotation ©2017 Ringgold, Inc., Portland, OR (protoview.com)
