Robots, human hybrids and fictional monsters assembled from graveyard body parts by mad scientists have haunted literature for centuries. The frightening but alluring motif highlights a long
and complex love affair between literature and science; an affair filled with fascination, commonalities, differences and antagonism. Over the past decades, however, the two cultures have found
common ground and interests, giving a momentum to consider the complex intersections in their historical contexts.
The Art of Discovery has evolved from this vantage point. Bringing together scholars of literature, natural sciences, and philosophy of science, the anthology spans the 19th and 20th centuries
and discusses a range of different encounters. These include Goethe's theory of colour, Darwin's 'filthy heraldries', Sigrid Undset's usage of biology, and literary responses to the first man
on the moon, Baudelaire's infatuation with magnetism, the robot as a theme in literature, and literature's moral imperative post Hiroshima.
The anthology, by internationally renowned scholars, brings new perspectives to the existential, ethical, intellectual and metaphysical implications of the age-long love-hate relationship
between the 'two cultures'.
