This book sets out a fresh approach to stand-up comedy. By constructing a theoretical framework using laughter theory, phenomenology and contemporary performance theory, it provides not only a new analytical tool for this genre of performance, but also a means by which it can be understood, discussed and taught. Tim Miles combines empirical research into the ’lived experience’ of live stand-up with a strong theoretical model to explore the importance of performance expectations; perceptions of space; sensory perceptions; liveness; the lived experience; inter-subjectivity; memory; interactions; collectively; and perceptions of truth and trust.
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The San Francisco of Alfred Hitchcock’s Vertigo: Place, Pilgrimage, and Commemoration
$1,350 -
The Professional Actor’s Handbook: From Casting Call to Curtain Call
$1,350 -
Davinci Resolve 12: Editing Fundamentals
$1,050 -
Director’s Cut: My Life in Film
$943 -
Alain Delon: Style, Stardom, and Masculinity
$1,798 -
Movement: Onstage and Off
$2,248 -
Last Man Standing: Mort Sahl and the Birth of Modern Comedy
$1,398 -
Gentlemen of the Shade: My Own Private Idaho
$453 -
Mae West: It Ain’t No Sin
$700 -
Hitchcock’s Villains: Murderers, Maniacs, and Mother Issues
$1,125 -
Philippe Grandrieux: Sonic Cinema
$5,400 -
Acting for the Stage
$1,348 -
Medical Clowning: The Healing Performance
$1,575 -
Screen Acting
$943 -
Behind the Curtain: Celebrating the Actor Within
$1,125 -
Alexander Payne: Interviews
$875 -
The Michael Chekhov’s Acting Technique: A Practitioner’s Guide
$943 -
Brian De Palma’s Split-Screen: A Life in Film
$1,350 -
Digging Up Mother: A Love Story
$560 -
How to Work the Film & TV Markets: A Guide for Content Creators
$1,798

