This book sets out a fresh approach to stand-up comedy. By constructing a theoretical framework using laughter theory, phenomenology and contemporary performance theory, it provides not only a new analytical tool for this genre of performance, but also a means by which it can be understood, discussed and taught. Tim Miles combines empirical research into the ’lived experience’ of live stand-up with a strong theoretical model to explore the importance of performance expectations; perceptions of space; sensory perceptions; liveness; the lived experience; inter-subjectivity; memory; interactions; collectively; and perceptions of truth and trust.
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One Minute Plays: A Practical Guide to Tiny Theatre
$7,425 -
Philippe Grandrieux: Sonic Cinema
$1,348 -
Performing Utopia
$1,575 -
Women in Asian Performance: Aesthetics and Politics
$6,750 -
Davinci Resolve 12: Editing Fundamentals
$1,050 -
Last Man Standing: Mort Sahl and the Birth of Modern Comedy
$1,398 -
Better: Waking Up to Who We Could Be
$770 -
Mae West: It Ain’t No Sin
$700 -
Charlie Chaplin’s Red Letter Days: At Work With the Comic Genius
$1,710 -
Images: My Life in Film
$875 -
An Actor Transforms: Character and the Psychology of Transformation
$1,798 -
Twentieth Century Fox: A Century of Entertainment
$1,750 -
Acting for the Stage
$1,348 -
Screen Acting
$943 -
Director’s Cut: My Life in Film
$943 -
Charles Walters: The Director Who Made Hollywood Dance
$898 -
Every Day a Holiday: A Storyteller’s Memoir
$980 -
After Meisner: A 21st Century Acting Technique
$1,033 -
Conceptual Modeling
$1,575 -
Stand-up Comedy
$5,625

