This book sets out a fresh approach to stand-up comedy. By constructing a theoretical framework using laughter theory, phenomenology and contemporary performance theory, it provides not only a new analytical tool for this genre of performance, but also a means by which it can be understood, discussed and taught. Tim Miles combines empirical research into the ’lived experience’ of live stand-up with a strong theoretical model to explore the importance of performance expectations; perceptions of space; sensory perceptions; liveness; the lived experience; inter-subjectivity; memory; interactions; collectively; and perceptions of truth and trust.
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Edith Craig and The Theatres of Art
$5,130 -
Women in Asian Performance: Aesthetics and Politics
$6,750 -
Rebel: My Life Outside the Lines
$1,015 -
The Professional Actor’s Handbook: From Casting Call to Curtain Call
$1,350 -
Davinci Resolve 12: Editing Fundamentals
$1,050 -
Mae West: It Ain’t No Sin
$700 -
Alain Delon: Style, Stardom, and Masculinity
$1,798 -
Rebel: My Life Outside the Lines
$1,015 -
Philippe Grandrieux: Sonic Cinema
$5,400 -
Setting the Stage: What We Do, How We Do It, and Why
$943 -
Performing Utopia
$1,575 -
One Minute Plays: A Practical Guide to Tiny Theatre
$1,573 -
Break the Rules and Get the Part: Thirty Monologues for Women
$455 -
Screen Acting
$943 -
Twentieth Century Fox: A Century of Entertainment
$1,750 -
Movement: Onstage and Off
$2,248 -
An Actor Transforms: Character and the Psychology of Transformation
$1,798 -
Pier Paolo Pasolini: Performing Authorship
$2,700 -
Performing Antagonism: Theatre, Performance & Radical Democracy
$4,500 -
Hitchcock’s Villains: Murderers, Maniacs, and Mother Issues
$1,125

