This book sets out a fresh approach to stand-up comedy. By constructing a theoretical framework using laughter theory, phenomenology and contemporary performance theory, it provides not only a new analytical tool for this genre of performance, but also a means by which it can be understood, discussed and taught. Tim Miles combines empirical research into the ’lived experience’ of live stand-up with a strong theoretical model to explore the importance of performance expectations; perceptions of space; sensory perceptions; liveness; the lived experience; inter-subjectivity; memory; interactions; collectively; and perceptions of truth and trust.
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Alain Delon: Style, Stardom, and Masculinity
$1,798 -
The Collected Works of John Ford
$9,450 -
Stand-up Comedy
$5,625 -
Digging Up Mother: A Love Story
$560 -
Acting for the Stage
$1,348 -
Better: Waking Up to Who We Could Be
$770 -
Davinci Resolve 12: Editing Fundamentals
$1,050 -
Rebel: My Life Outside the Lines
$1,015 -
The Artist’s Compass: The Complete Guide to Building a Life and a Living in the Performing Arts
$560 -
Last Man Standing: Mort Sahl and the Birth of Modern Comedy
$1,398 -
The San Francisco of Alfred Hitchcock’s Vertigo: Place, Pilgrimage, and Commemoration
$1,350 -
Medical Clowning: The Healing Performance
$1,575 -
The Professional Actor’s Handbook: From Casting Call to Curtain Call
$2,700 -
Behind the Curtain: Celebrating the Actor Within
$1,125 -
Women in Asian Performance: Aesthetics and Politics
$1,798 -
Women in Asian Performance: Aesthetics and Politics
$6,750 -
Charlie Chaplin’s Red Letter Days: At Work With the Comic Genius
$1,710 -
Conceptual Modeling
$1,575 -
Philippe Grandrieux: Sonic Cinema
$1,348 -
An Actor Transforms: Character and the Psychology of Transformation
$1,798

