This book sets out a fresh approach to stand-up comedy. By constructing a theoretical framework using laughter theory, phenomenology and contemporary performance theory, it provides not only a new analytical tool for this genre of performance, but also a means by which it can be understood, discussed and taught. Tim Miles combines empirical research into the ’lived experience’ of live stand-up with a strong theoretical model to explore the importance of performance expectations; perceptions of space; sensory perceptions; liveness; the lived experience; inter-subjectivity; memory; interactions; collectively; and perceptions of truth and trust.
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Behind the Curtain: Celebrating the Actor Within
$1,125 -
Edith Craig and The Theatres of Art
$5,130 -
Gentlemen of the Shade: My Own Private Idaho
$453 -
Better: Waking Up to Who We Could Be
$770 -
Davinci Resolve 12: Editing Fundamentals
$1,050 -
Conceptual Modeling
$1,575 -
Women in Asian Performance: Aesthetics and Politics
$1,798 -
Stand-up Comedy
$5,625 -
Mae West: It Ain’t No Sin
$700 -
The San Francisco of Alfred Hitchcock’s Vertigo: Place, Pilgrimage, and Commemoration
$1,350 -
Pier Paolo Pasolini: Performing Authorship
$2,700 -
Harry Langdon: King of Silent Comedy
$1,800 -
Director’s Cut: My Life in Film
$943 -
Alain Delon: Style, Stardom, and Masculinity
$1,798 -
Mustache Shenanigans: Making Super Troopers and Other Adventures in Comedy
$945 -
One Minute Plays: A Practical Guide to Tiny Theatre
$1,573 -
Women in Asian Performance: Aesthetics and Politics
$6,750 -
Philippe Grandrieux: Sonic Cinema
$5,400 -
Hitchcock’s Villains: Murderers, Maniacs, and Mother Issues
$1,125 -
The Collected Works of John Ford
$9,450

