This book sets out a fresh approach to stand-up comedy. By constructing a theoretical framework using laughter theory, phenomenology and contemporary performance theory, it provides not only a new analytical tool for this genre of performance, but also a means by which it can be understood, discussed and taught. Tim Miles combines empirical research into the ’lived experience’ of live stand-up with a strong theoretical model to explore the importance of performance expectations; perceptions of space; sensory perceptions; liveness; the lived experience; inter-subjectivity; memory; interactions; collectively; and perceptions of truth and trust.
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The Artist’s Compass: The Complete Guide to Building a Life and a Living in the Performing Arts
$560 -
Medical Clowning: The Healing Performance
$1,575 -
Better: Waking Up to Who We Could Be
$770 -
Performing Antagonism: Theatre, Performance & Radical Democracy
$4,500 -
The San Francisco of Alfred Hitchcock’s Vertigo: Place, Pilgrimage, and Commemoration
$1,350 -
Digging Up Mother: A Love Story
$560 -
Rebel: My Life Outside the Lines
$1,015 -
After Meisner: A 21st Century Acting Technique
$1,033 -
Philippe Grandrieux: Sonic Cinema
$5,400 -
One Minute Plays: A Practical Guide to Tiny Theatre
$7,425 -
Mustache Shenanigans: Making Super Troopers and Other Adventures in Comedy
$945 -
Hitchcock’s Villains: Murderers, Maniacs, and Mother Issues
$1,125 -
Women in Asian Performance: Aesthetics and Politics
$1,798 -
An Actor Transforms: Character and the Psychology of Transformation
$1,798 -
Every Day a Holiday: A Storyteller’s Memoir
$980 -
The Professional Actor’s Handbook: From Casting Call to Curtain Call
$1,350 -
Alexander Payne: Interviews
$875 -
The Michael Chekhov’s Acting Technique: A Practitioner’s Guide
$943 -
Movement: Onstage and Off
$2,248 -
Conceptual Modeling
$1,575

