This book sets out a fresh approach to stand-up comedy. By constructing a theoretical framework using laughter theory, phenomenology and contemporary performance theory, it provides not only a new analytical tool for this genre of performance, but also a means by which it can be understood, discussed and taught. Tim Miles combines empirical research into the ’lived experience’ of live stand-up with a strong theoretical model to explore the importance of performance expectations; perceptions of space; sensory perceptions; liveness; the lived experience; inter-subjectivity; memory; interactions; collectively; and perceptions of truth and trust.
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The Michael Chekhov’s Acting Technique: A Practitioner’s Guide
$943 -
Charles Walters: The Director Who Made Hollywood Dance
$898 -
Every Day a Holiday: A Storyteller’s Memoir
$980 -
Medical Clowning: The Healing Performance
$1,575 -
Rebel: My Life Outside the Lines
$1,015 -
Acting for the Stage
$1,348 -
Last Man Standing: Mort Sahl and the Birth of Modern Comedy
$1,398 -
Women in Asian Performance: Aesthetics and Politics
$6,750 -
The San Francisco of Alfred Hitchcock’s Vertigo: Place, Pilgrimage, and Commemoration
$1,350 -
Brian De Palma’s Split-Screen: A Life in Film
$1,350 -
Performing Utopia
$1,575 -
Break the Rules and Get the Part: Thirty Monologues for Women
$455 -
Alexander Payne: Interviews
$875 -
Mae West: It Ain’t No Sin
$700 -
Charlie Chaplin’s Red Letter Days: At Work With the Comic Genius
$1,710 -
Conceptual Modeling
$1,575 -
Pier Paolo Pasolini: Performing Authorship
$2,700 -
The Professional Actor’s Handbook: From Casting Call to Curtain Call
$2,700 -
Philippe Grandrieux: Sonic Cinema
$5,400 -
The Artist’s Compass: The Complete Guide to Building a Life and a Living in the Performing Arts
$560