This book sets out a fresh approach to stand-up comedy. By constructing a theoretical framework using laughter theory, phenomenology and contemporary performance theory, it provides not only a new analytical tool for this genre of performance, but also a means by which it can be understood, discussed and taught. Tim Miles combines empirical research into the ’lived experience’ of live stand-up with a strong theoretical model to explore the importance of performance expectations; perceptions of space; sensory perceptions; liveness; the lived experience; inter-subjectivity; memory; interactions; collectively; and perceptions of truth and trust.
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Davinci Resolve 12: Editing Fundamentals
$1,050 -
Better: Waking Up to Who We Could Be
$770 -
Movement: Onstage and Off
$2,248 -
Mae West: It Ain’t No Sin
$700 -
Setting the Stage: What We Do, How We Do It, and Why
$943 -
The Professional Actor’s Handbook: From Casting Call to Curtain Call
$2,700 -
Digging Up Mother: A Love Story
$560 -
Philippe Grandrieux: Sonic Cinema
$1,348 -
Charlie Chaplin’s Red Letter Days: At Work With the Comic Genius
$1,710 -
Medical Clowning: The Healing Performance
$1,575 -
How to Work the Film & TV Markets: A Guide for Content Creators
$1,798 -
Pier Paolo Pasolini: Performing Authorship
$2,700 -
The Artist’s Compass: The Complete Guide to Building a Life and a Living in the Performing Arts
$560 -
Philippe Grandrieux: Sonic Cinema
$5,400 -
Charles Walters: The Director Who Made Hollywood Dance
$898 -
Rebel: My Life Outside the Lines
$1,015 -
Brian De Palma’s Split-Screen: A Life in Film
$1,350 -
The Professional Actor’s Handbook: From Casting Call to Curtain Call
$1,350 -
Director’s Cut: My Life in Film
$943 -
Acting for the Stage
$1,348

