This book sets out a fresh approach to stand-up comedy. By constructing a theoretical framework using laughter theory, phenomenology and contemporary performance theory, it provides not only a new analytical tool for this genre of performance, but also a means by which it can be understood, discussed and taught. Tim Miles combines empirical research into the ’lived experience’ of live stand-up with a strong theoretical model to explore the importance of performance expectations; perceptions of space; sensory perceptions; liveness; the lived experience; inter-subjectivity; memory; interactions; collectively; and perceptions of truth and trust.
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Charles Walters: The Director Who Made Hollywood Dance
$898 -
Director’s Cut: My Life in Film
$943 -
Images: My Life in Film
$875 -
Davinci Resolve 12: Editing Fundamentals
$1,050 -
Break the Rules and Get the Part: Thirty Monologues for Women
$455 -
Conceptual Modeling
$1,575 -
Rebel: My Life Outside the Lines
$1,015 -
Women in Asian Performance: Aesthetics and Politics
$6,750 -
Learning from the Curse: Sembene’s Xala
$1,238 -
How to Work the Film & TV Markets: A Guide for Content Creators
$1,798 -
Mustache Shenanigans: Making Super Troopers and Other Adventures in Comedy
$945 -
The Collected Works of John Ford
$9,450 -
The Michael Chekhov’s Acting Technique: A Practitioner’s Guide
$943 -
The Professional Actor’s Handbook: From Casting Call to Curtain Call
$2,700 -
Performing Antagonism: Theatre, Performance & Radical Democracy
$4,500 -
Twentieth Century Fox: A Century of Entertainment
$1,750 -
Screen Acting
$943 -
Charlie Chaplin’s Red Letter Days: At Work With the Comic Genius
$1,710 -
Medical Clowning: The Healing Performance
$1,575 -
Pier Paolo Pasolini: Performing Authorship
$2,700

