This book sets out a fresh approach to stand-up comedy. By constructing a theoretical framework using laughter theory, phenomenology and contemporary performance theory, it provides not only a new analytical tool for this genre of performance, but also a means by which it can be understood, discussed and taught. Tim Miles combines empirical research into the ’lived experience’ of live stand-up with a strong theoretical model to explore the importance of performance expectations; perceptions of space; sensory perceptions; liveness; the lived experience; inter-subjectivity; memory; interactions; collectively; and perceptions of truth and trust.
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Harry Langdon: King of Silent Comedy
$1,800 -
After Meisner: A 21st Century Acting Technique
$1,033 -
Pier Paolo Pasolini: Performing Authorship
$2,700 -
Rebel: My Life Outside the Lines
$1,015 -
The Michael Chekhov’s Acting Technique: A Practitioner’s Guide
$943 -
Images: My Life in Film
$875 -
Medical Clowning: The Healing Performance
$1,575 -
Last Man Standing: Mort Sahl and the Birth of Modern Comedy
$1,398 -
Screen Acting
$943 -
An Actor Transforms: Character and the Psychology of Transformation
$1,798 -
The Collected Works of John Ford
$9,450 -
Performing Utopia
$1,575 -
Edith Craig and The Theatres of Art
$5,130 -
Better: Waking Up to Who We Could Be
$770 -
Acting for the Stage
$1,348 -
Digging Up Mother: A Love Story
$560 -
Hitchcock’s Villains: Murderers, Maniacs, and Mother Issues
$1,125 -
Stand-up Comedy
$1,798 -
Mae West: It Ain’t No Sin
$700 -
Philippe Grandrieux: Sonic Cinema
$5,400

