This book sets out a fresh approach to stand-up comedy. By constructing a theoretical framework using laughter theory, phenomenology and contemporary performance theory, it provides not only a new analytical tool for this genre of performance, but also a means by which it can be understood, discussed and taught. Tim Miles combines empirical research into the ’lived experience’ of live stand-up with a strong theoretical model to explore the importance of performance expectations; perceptions of space; sensory perceptions; liveness; the lived experience; inter-subjectivity; memory; interactions; collectively; and perceptions of truth and trust.
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One Minute Plays: A Practical Guide to Tiny Theatre
$1,573 -
How to Work the Film & TV Markets: A Guide for Content Creators
$1,798 -
Philippe Grandrieux: Sonic Cinema
$1,348 -
Acting for the Stage
$1,348 -
Performing Antagonism: Theatre, Performance & Radical Democracy
$4,500 -
Learning from the Curse: Sembene’s Xala
$1,238 -
Movement: Onstage and Off
$2,248 -
Setting the Stage: What We Do, How We Do It, and Why
$943 -
Stand-up Comedy
$1,798 -
Performing Utopia
$1,575 -
Mae West: It Ain’t No Sin
$700 -
Every Day a Holiday: A Storyteller’s Memoir
$980 -
Women in Asian Performance: Aesthetics and Politics
$1,798 -
The Professional Actor’s Handbook: From Casting Call to Curtain Call
$1,350 -
Alain Delon: Style, Stardom, and Masculinity
$1,798 -
Charles Walters: The Director Who Made Hollywood Dance
$898 -
Last Man Standing: Mort Sahl and the Birth of Modern Comedy
$1,398 -
Conceptual Modeling
$1,575 -
Edith Craig and the Theatres of Art
$1,708 -
Edith Craig and The Theatres of Art
$5,130

