This book sets out a fresh approach to stand-up comedy. By constructing a theoretical framework using laughter theory, phenomenology and contemporary performance theory, it provides not only a new analytical tool for this genre of performance, but also a means by which it can be understood, discussed and taught. Tim Miles combines empirical research into the ’lived experience’ of live stand-up with a strong theoretical model to explore the importance of performance expectations; perceptions of space; sensory perceptions; liveness; the lived experience; inter-subjectivity; memory; interactions; collectively; and perceptions of truth and trust.
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Alexander Payne: Interviews
$875 -
Rebel: My Life Outside the Lines
$1,015 -
Last Man Standing: Mort Sahl and the Birth of Modern Comedy
$1,398 -
Every Day a Holiday: A Storyteller’s Memoir
$980 -
One Minute Plays: A Practical Guide to Tiny Theatre
$1,573 -
Harry Langdon: King of Silent Comedy
$1,800 -
An Actor Transforms: Character and the Psychology of Transformation
$1,798 -
Charles Walters: The Director Who Made Hollywood Dance
$898 -
The Michael Chekhov’s Acting Technique: A Practitioner’s Guide
$943 -
Break the Rules and Get the Part: Thirty Monologues for Women
$455 -
Hitchcock’s Villains: Murderers, Maniacs, and Mother Issues
$1,125 -
Images: My Life in Film
$875 -
How to Work the Film & TV Markets: A Guide for Content Creators
$1,798 -
Digging Up Mother: A Love Story
$560 -
After Meisner: A 21st Century Acting Technique
$1,033 -
Edith Craig and the Theatres of Art
$1,708 -
Gentlemen of the Shade: My Own Private Idaho
$453 -
The Professional Actor’s Handbook: From Casting Call to Curtain Call
$1,350 -
The San Francisco of Alfred Hitchcock’s Vertigo: Place, Pilgrimage, and Commemoration
$1,350 -
Acting for the Stage
$1,348